{"id":60,"date":"2023-07-24T23:17:49","date_gmt":"2023-07-24T23:17:49","guid":{"rendered":"https:\/\/pejatourism.org\/?page_id=60"},"modified":"2025-07-28T22:38:08","modified_gmt":"2025-07-28T22:38:08","slug":"museumofpeja","status":"publish","type":"page","link":"https:\/\/pejatourism.org\/sq\/museumofpeja\/","title":{"rendered":"Museum of Peja"},"content":{"rendered":"
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MUZEU I PEJ\u00cbS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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HAPUR P\u00cbR VIZITOR\u00cbT: 08:30-15:30<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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P\u00ebr periudh\u00ebn maj-tetor,\u00a0<\/p>

Muzeu mund t\u00eb vizitohet gjat\u00eb fundjav\u00ebs n\u00eb or\u00ebt: 10:00 \u2013 14:00.\u00a0<\/p>

Tel: +383 39 431 976 | Email: besa.berisha@rks-gov.net
Adresa: Sheshi Haxhi Zeka.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Rreth Muzeut<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I vendosur n\u00eb sheshin Haxhi Zeka n\u00eb nj\u00eb pik\u00eb mjaft qarkulluese e cila lidh pjes\u00ebn e qendr\u00ebs s\u00eb Pej\u00ebs me \u00c7arshin\u00eb e vjet\u00ebr gjindet Konaku i vjet\u00ebr i Tahir Beut, nj\u00eb sht\u00ebpi e vjet\u00ebr tradicionale e Pej\u00ebs e nd\u00ebrtuar n\u00eb Shek. XVIII q\u00eb ka sh\u00ebrbyer edhe si \u201ckonak\u201d (bujtin\u00eb) p\u00ebr kalimtar\u00ebt dhe treg\u00ebtar\u00ebt e rastit nga vende t\u00eb tjera, t\u00eb cil\u00ebt e kan\u00eb frekuentuar qytetin e Pej\u00ebs p\u00ebr q\u00ebllime treg\u00ebtare. Brenda hapsirave t\u00eb k\u00ebsaj sht\u00ebpie q\u00eb p\u00ebrb\u00ebhet nga kati p\u00ebrdhes dhe kati i par\u00eb, jan\u00eb 2 ekspozita (etnologjike dhe arkeologjike) me afro 2000 eksponate, t\u00eb cilat prezantojn\u00eb historin\u00eb e Pej\u00ebs n\u00eb periudha t\u00eb ndryshme kohore duke filluar nga ato Ilire, e deri n\u00eb dit\u00ebt e sotme. Vlera edhe m\u00eb e madhe e k\u00ebtij muzeut tregohet n\u00eb dinamiken e aktiviteteve. Pothuajse gjat\u00eb gjith vitit stafi i tij organizon aktivitete t\u00eb ndryshme me gjenerata t\u00eb ndryshme t\u00eb qytetarve t\u00eb cilat kan\u00eb p\u00ebr q\u00ebllim ruajtjen e tash\u00ebgimis kulturore, prezantimin e saj\u00eb, edukimin e gjeneratave t\u00eb reja si dhe promovimin e trash\u00ebgimis s\u00eb Pej\u00ebs n\u00eb nivel nacional dhe nd\u00ebrkomb\u00ebtar. Ky muze nj\u00ebherit \u00ebsht\u00eb n\u00eb sh\u00ebrbim t\u00eb t\u00eb gjith\u00eb qytetarve t\u00eb gurpmoshave dhe nacionaliteteve t\u00eb ndryshme.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Historia e Muzeut t\u00eb Pej\u00ebs<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Muzeu i Pej\u00ebs \u00ebsht\u00eb Institucion kulturor q\u00eb trajton ruajtjen dhe prezantimin e trash\u00ebgimis kulturore dhe vepron n\u00eb kuad\u00ebr t\u00eb komun\u00ebs s\u00eb Pej\u00ebs. \u00cbsht\u00eb themeluar n\u00eb vitin 1971 i em\u00ebruar si \u201cMuzeu I Revulucionit\u201d dhe ka sh\u00ebrbyer p\u00ebr prezantimin e materialit historik mbi Luft\u00ebn Nacional \u00c7lirimtare (LN\u00c7) gjat\u00eb Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore q\u00eb \u00ebsht\u00eb zhvilluar n\u00eb territorin e Komun\u00ebs s\u00eb Pej\u00ebs. N\u00eb vitin 1977 themelohet \u201cMuzeu Etnologjik\u201d me q\u00ebllim t\u00eb promovimit t\u00eb trash\u00ebgimis\u00eb materiale dhe shpirt\u00ebrore t\u00eb Rajonit t\u00eb Pej\u00ebs. Edhe pse ishte themeluar m\u00eb heret, veprimtaria e saj ka filluar n\u00eb vitin 1983 n\u00eb hap\u00ebsirat e Bashk\u00ebsis s\u00eb Kultur\u00ebs (tani Sht\u00ebpia e Kultur\u00ebs), p\u00ebr tu vendosur pastaj n\u00eb \u201dKonakun e Tahir Beut\u201d n\u00eb vitin 1989, ku edhe tani zhvillon veprimtarin e saj. N\u00eb vitin 1992 \u00ebsht\u00eb b\u00ebr\u00eb bashkimi i k\u00ebtyre dy muzeve duke vepruar n\u00eb t\u00eb nj\u00ebjtin object, konakun e Tahir Beut si \u201cMuzeu Rajonal i Pej\u00ebs \u2013 Sektori I Etnologjis\u00eb\u201d n\u00eb t\u00eb cilin nj\u00ebhkoh\u00ebsisht\u00eb jan\u00eb zhvilluar aktivitete edhe n\u00eb sektorin e arkeologjis\u00eb dhe historis\u00eb. Me q\u00ebllim q\u00eb ky muze t\u00eb zhvillohet edhe m\u00eb shum\u00eb n\u00eb sektor tjer\u00eb, Kuvendi Komunal n\u00eb vitin 2015 ka aprovuar Statutin e ri t\u00eb Muzeut ku \u00ebsht\u00eb ndryshuar edhe emri nga \u201cMuzeu Rajonal i Pej\u00ebs \u2013 Sektori i Etnologjis\u00eb\u201d n\u00eb \u201cMuzeu i Pej\u00ebs\u201d.\nMuzeu i Pej\u00ebs ka nj\u00eb fond prej afro 2000 objekteve muzeore, gjegj\u00ebsisht eksponateve etnologjike, artefakteve arkeologjike dhe dokumenteve historike, t\u00eb cilat jan\u00eb koleksionuar gjat\u00eb shum\u00eb viteve pune n\u00eb terren por edhe fal\u00eb donacioneve t\u00eb qytetar\u00ebve dhe Muzeut t\u00eb Kosov\u00ebs. Nj\u00eb num\u00ebr i konsideruesh\u00ebm i k\u00ebtyre objekteve muzeore jan\u00eb t\u00eb paraqitura n\u00eb dy ekspozita permanente, ekspozit\u00ebn etnologjike dhe ate arkeologjike dhe prezentojn\u00eb trash\u00ebgimin\u00eb e pasur dhe t\u00eb larmishme kulturore materiale dhe shpirt\u00ebrore t\u00eb Rrafshit t\u00eb Dukagjinit, nj\u00eb trash\u00ebgimi q\u00eb \u00ebsht\u00eb zhvilluar gjat\u00eb periudhave t\u00eb ndryshme kohore dhe n\u00ebn ndikimin e kulturave t\u00eb ndryshme, t\u00eb cilat kultura edhe jan\u00eb g\u00ebrshetuar mes vete, q\u00eb shihet qart\u00eb n\u00eb t\u00eb gjitha fushat dhe aspektet jet\u00ebsore si n\u00eb: veshje, arkitektur\u00eb, zhvillimin e jet\u00ebs sociale, kulturore, ekonomike, etj.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ekspozita Etnologjike<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2018Trash\u00ebgimia Kulturore Etnologjike e Rrafshit t\u00eb Dukagjinit\u2019, \u00ebsht\u00eb hapur n\u00eb vitin 1989. Prezenton trash\u00ebgimin\u00eb materiale dhe shpirt\u00ebrore t\u00eb Rrafshit t\u00eb Dukagjinit,n\u00ebp\u00ebrmjet koleksioneve t\u00eb ndryshme si: veshje tradicionale t\u00eb zon\u00ebs (veshja e Rrafshit t\u00eb Dukagjinit dhe veshja e Rugov\u00ebs), punime tekstili, shtroje, stoli, arm\u00eb, en\u00eb, arka dhe orendi tjera sht\u00ebpiake, vegla pune, instrumente muzikore, etj. T\u00eb gjitha k\u00ebto eksponate jan\u00eb punime artizanale t\u00eb zejtar\u00ebve vendor\u00eb t\u00eb punuara, kryesisht nga burrat, me materiale t\u00eb ndryshme dhe vegla pune t\u00eb thjeshta, si dhe punime t\u00eb grave t\u00eb cilat, me nj\u00eb mjeshtri t\u00eb rall\u00eb dhe sens tejet kreativ dhe artistik, kan\u00eb krijuar vepra arti t\u00eb punuara me endje n\u00eb vek si: qylyma, shtroje t\u00eb ndryshme, pjes\u00eb t\u00eb veshjeve tradicionale, pastaj punime me grep, gjilp\u00ebr\u00eb, etj. K\u00ebto punime i p\u00ebrkasin shek. XVIII, XIX dhe XX.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Veshja e Rrafshit t\u00eb Dukagjinit<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Veshja e Rrafshit t\u00eb Dukagjinit p\u00ebrb\u00ebhet nga k\u00ebmisha e bardh\u00eb e gjat\u00eb, e endur n\u00eb vek dhe e dekoruar me q\u00ebndisje n\u00eb pjes\u00ebn e gjoksit dhe n\u00eb jak\u00eb, jeleku apo xhemperi i zi ose ngjyr\u00eb kafe, p\u00ebshtjellaku i p\u00ebrparm\u00eb, p\u00ebshtjellaku i pas\u00ebm, m\u00ebng\u00eb t\u00eb punuara me grep, n\u00eb kok\u00eb ka lidhc\u00ebn dhe marham\u00ebn, \u00e7orapet e zeza dhe opingat. Var\u00ebsisht nga mosha, veshja e Rrafshit t\u00eb Dukagjinit, q\u00eb ndryshe quhet edhe \u2018veshja e katundit\u2019 apo e \u2018Podgurit\u2019, ndahet n\u00eb veshjen e vajzave, t\u00eb nuseve dhe veshjen e plakave, e cila \u00ebsht\u00eb m\u00eb pak, ose fare e dekoruar me q\u00ebndisje<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Veshja e nuseve t\u00eb Rugov\u00ebs<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Veshja e nuseve t\u00eb Rugov\u00ebs karakterizohet me laramani t\u00eb ngjyrave dhe motive t\u00eb shumta, e punuar nga p\u00eblhura dhe e dekoruar me q\u00ebndisje me penj, m\u00ebndafsh dhe rruaza shum\u00ebngjyr\u00ebshe. P\u00ebrb\u00ebhet nga: k\u00ebmisha e gjat\u00eb deri tek gjunj\u00ebt me m\u00ebng\u00eb t\u00eb shkurt\u00ebra; pastaj fustani, q\u00eb ka form\u00ebn e nj\u00eb fundi shum\u00eb t\u00eb gj\u00ebr\u00eb (i p\u00ebrb\u00ebr\u00eb me 120 cop\u00eb kinda), q\u00eb gjason edhe me fustanell\u00ebn; klindat apo brek\u00ebt; 4 shami shum\u00ebngjyr\u00ebshe q\u00eb lidhen n\u00eb pjes\u00ebn e p\u00ebrparme t\u00eb cilat simbolizojn\u00eb plleshm\u00ebrin\u00eb, begatin\u00eb, lumturin\u00eb dhe mbar\u00ebsin\u00eb n\u00eb jet\u00eb; p\u00ebshtjellaku i pas\u00ebm; jeleku i zi, i quajtur \u2018krahc\u00eb\u2019; shoka; shamia e kuqe e kok\u00ebs; m\u00ebng\u00eb t\u00eb punuara me grep (nga ky\u00e7i i dor\u00ebs deri tek b\u00ebrryli), \u00e7orape t\u00eb zeza dhe opinga, nd\u00ebrsa gjoksi \u00ebsht\u00eb i stolisur me stoli argjendi. Veshja e nuseve t\u00eb reja t\u00eb Rugov\u00ebs karakterizohet edhe me dekorimin e nuses me tufa dhe hajmali, t\u00eb punuara me grep apo rruaza shum\u00ebngjyr\u00ebshe por edhe argjendi, t\u00eb cilat vendosen p\u00ebr t\u2019a mbrojtur \u2019t\u00eb ren\u00eb\u2019 (nusen) nga \u2018syri i keq\u2019 apo, si\u00e7 njohet n\u00eb popull \u2018m\u00ebsyshi\u2019. Veshja e grave t\u00eb moshuara \u00ebsht\u00eb m\u00eb pak e q\u00ebndisur dhe e dekoruar, n\u00eb t\u00eb dominojn\u00eb vet\u00ebn ngjyra e bardh\u00eb dhe e zez\u00eb dhe, n\u00eb vend t\u00eb shamive shum\u00ebngjyr\u00ebshe vihet p\u00ebshtjek\u00ebllaku i parm\u00eb, nd\u00ebrsa n\u00eb kok\u00eb shamia e bardh\u00eb. Edhe veshja e vajzave t\u00eb reja dallohet nga p\u00ebshtjellci, q\u00eb \u00ebsht\u00eb nj\u00eb fund i lesht\u00eb, i punuar me k\u00ebrrab\u00ebza dhe i dekoruar me nj\u00eb gajtan t\u00eb q\u00ebndisur me tel.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Veshja e burrave t\u00eb Rugov\u00ebs<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Veshja e burrave t\u00eb Rugov\u00ebs \u00ebsht\u00eb e punuar nga materilali i leshit dhe p\u00ebrb\u00ebhet nga: tirqit, k\u00ebmisha e bardh\u00eb nga p\u00eblhura, e punuar n\u00eb vek, me m\u00ebng\u00eb t\u00eb gjata, shoka me vija shum\u00ebngjyr\u00ebshe, ku vendoset koburja, \u00e7orapat prej leshi dhe opingat. N\u00eb kok\u00eb ka plisin dhe nj\u00eb shall t\u00eb bardh\u00eb m\u00ebndafshi me gjat\u00ebsi 3m dhe gj\u00ebr\u00ebsi 60cm, q\u00eb mb\u00ebshtillet dy her\u00eb rreth kok\u00ebs dhe dy her\u00eb rreth qaf\u00ebs, i cili sh\u00ebrben edhe si mbules\u00eb apo mb\u00ebshtjell\u00ebs p\u00ebr personin n\u00eb rast t\u00eb vdekjes (qefin).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Xhubleta<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Xhubleta \u00ebsht\u00eb veshje tipike e grave t\u00eb Shqip\u00ebris\u00eb Veriore, Mal\u00ebsis\u00eb s\u00eb Madhe, Rugov\u00ebs, Dukagjinit dhe trevave shqiptare n\u00eb Malin e Zi. \u00cbsht\u00eb nj\u00eb fund n\u00eb trajt\u00eb k\u00ebmbane e val\u00ebzuar, sidomos n\u00eb pjes\u00ebn e pasme. P\u00ebrb\u00ebhet nga nj\u00eb num\u00ebr i madh (13-17) rripash shajaku, t\u00eb v\u00ebn\u00eb horizontalisht dhe t\u00eb nd\u00ebrthurur me shum\u00eb mjshtri mes vete me breza gajtan\u00ebsh t\u00eb holl\u00eb leshi, nd\u00ebrsa n\u00eb supe mbahet e varur me dy rripa t\u00eb gj\u00ebr\u00eb, poashtu shajaku. Pjes\u00ebt tjera t\u00eb xhublet\u00ebs jan\u00eb: xhoka (kraholina), k\u00ebrdhokla, paraniku (p\u00ebrpar\u00ebse n\u00eb form\u00eb trapeze, poashtu e val\u00ebzuar n\u00eb fund), prapaniku (e ngjajshme me paranikun por m\u00eb e vog\u00ebl), \u00e7orapet, kallmat e shputat, etj. Shekuj m\u00eb par\u00eb, xhubleta punohej me m\u00eb shum\u00eb ngjyra, por ngjyrat q\u00eb kan\u00eb arritur deri n\u00eb dit\u00ebt e sotme jan\u00eb: e zeza p\u00ebr grat\u00eb dhe bardh\u00eb e zi p\u00ebr vajzat. Xhubleta me form\u00ebn, struktur\u00ebn dhe sistemin e saj dekorues \u00ebsht\u00eb trash\u00ebgimi e qart\u00eb e kultur\u00ebs ilire. Var\u00ebsisht nga mosha, statusi social apo edhe r\u00ebnd\u00ebsia e rastit, xhubleta dekorohet me nj\u00eb mori motivesh dhe, simbolet m\u00eb t\u00eb shpeshta q\u00eb paraqiten n\u00eb t\u00eb jan\u00eb: H\u00ebna, Dielli, kryqi i thyer (swastika), pastaj simbolet q\u00eb paraqesin lidhjet me besimin tek Zoti, dashurin\u00eb dhe bukurin\u00eb e femr\u00ebs mal\u00ebsore, peshku, yjet, insekte t\u00eb ndryshme, si frym\u00ebzim i mjedisit ku kan\u00eb jetuar, koka e demit, kulti i gjarp\u00ebrit dhe akrepit, e mbi t\u00eb gjitha emblema m\u00eb e dukshme \u00ebsht\u00eb shqiponja. Nj\u00eb xhublet\u00eb solemne, me t\u00eb gjith\u00eb aksesor\u00ebt\/stolit\u00eb, peshon rreth 14-15kg.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ekspozita Arkeologjike<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201cTrash\u00ebgimia Kulturore Arkeologjike e Rajonit t\u00eb Pej\u00ebs\u201d \u00ebsht\u00eb hapur n\u00eb vitin 2014 me rastin e sh\u00ebnimit t\u00eb \u2018Dit\u00ebs Nd\u00ebrkomb\u00ebtare t\u00eb Muzeut\u2019 dhe prezenton trash\u00ebgimin\u00eb arkeologjike t\u00eb Rajonit t\u00eb Pej\u00ebs. Artefaktet e prezentuara n\u00eb k\u00ebt\u00eb ekspozit\u00eb jan\u00eb gjetje t\u00eb g\u00ebrmimeve arkeologjike t\u00eb kryera gjat\u00eb viteve 1979-1999, t\u00eb mb\u00ebshtetura nga Instituti Krahinor p\u00ebr Mbrojtjen e Monumentetve t\u00eb Kosov\u00ebs dhe ai Republikan i Beogradit, n\u00eb disa lokalitete si: n\u00eb qytetin antik t\u00eb Pej\u00ebs-Gradina, Lubozhd\u00eb t\u00eb Istogut, Banj\u00eb t\u00eb Pej\u00ebs, Vrell\u00eb, Istog, Nak\u00ebll, etj. Nj\u00eb num\u00ebr i k\u00ebtyre artefakteve jan\u00eb edhe gjetje t\u00eb rast\u00ebsishme t\u00eb qytetar\u00ebve, kryesisht n\u00eb pronat e tyre, si\u00e7 \u00ebsht\u00eb rasti me altarin votiv, t\u00eb gjetur rast\u00ebsisht s\u00eb fundmi n\u00eb fshatin Gramaqel. K\u00ebto gjetje arkeologjike d\u00ebshmojn\u00eb p\u00ebr historin\u00eb e lasht\u00eb t\u00eb Pej\u00ebs p\u00ebr t\u00eb cil\u00ebn burimet arkeologjike tregojn\u00eb se ishte lokaliteti i dyt\u00eb me r\u00ebnd\u00ebsi n\u00eb territorin e Kosov\u00ebs, n\u00eb rang t\u00eb \u201cMunicipumit\u201d (qytetit), pas Ulpian\u00ebs. Peja, si qytet, p\u00ebr her\u00eb t\u00eb par\u00eb p\u00ebrmendet n\u00eb vepr\u00ebn \u201cGheographia\u201d t\u00eb Ptolemeut (87-150) me emrin \u2018Siparantum\u2019, nd\u00ebrsa Procopi (565), historian bizantin, lokalitetin e p\u00ebrshkruan me em\u00ebrtimin \u2018Pentza\u2019, e q\u00eb m\u00eb von\u00eb merr trajt\u00ebn \u2018Pek-Pekia-Peja\u2019. N\u00eb antikitet Peja njihet me emrin \u2018Gradina\u2019, g\u00ebrmadhat e s\u00eb cil\u00ebs ekzistojn\u00eb edhe sot n\u00eb af\u00ebrsi t\u00eb Fabrik\u00ebs s\u00eb Bateriave. Artefaktet si: stela, cipusi e altar\u00eb votiv\u00eb, t\u00eb zbuluara n\u00eb k\u00ebt\u00eb lokalitet, gjenden t\u00eb ekspozuara n\u00eb Muzeun e Pej\u00ebs. N\u00eb koleksionin e artefakteve arkeologjike t\u00eb Muzeut t\u00eb e Pej\u00ebs b\u00ebjn\u00eb pjes\u00eb edhe vegla pune nga guri,monedha bronzi, pjes\u00eb qeramike, llamba vaji, etj., t\u00eb cilat u takojn\u00eb periudhave t\u00eb ndryshme kohore, duke u nisur nga periudha parahistorike, iliro-dardane, bizantine, slave e osmane.\nSTELA DHE CIPUSI\nStela e prezentuar n\u00eb Muzeun e Pej\u00ebs \u00ebsht\u00eb gur mbivarror e thyer n\u00eb dysh, e gjetur n\u00eb g\u00ebrmadhat e qytetit antik t\u00eb Pej\u00ebs-Gradina, n\u00eb af\u00ebrsi t\u00eb Fabrik\u00ebs s\u00eb Baterive m\u00eb 1978. Sipas deshifrimit t\u00eb arkeolog\u00ebve, stela \u00ebsht\u00eb gur i nj\u00eb varreze familjare, ku jan\u00eb t\u00eb skalitura tri portrete, nj\u00eb burr\u00eb n\u00eb mes dhe dy gra anash, t\u00eb cil\u00ebn e ka ngritur Valens Sita p\u00ebr s\u00eb gjalli vetes, bashk\u00ebshortes Dede Iuncte dhe vajz\u00ebs Ania Dasit. \u00cbsht\u00eb e zbukuruar anash me motivin e dy k\u00ebrcejve t\u00eb hardhis\u00eb s\u00eb rrushit dhe gjetheve t\u00eb urthit, t\u00eb cilat dalin e rriten nga amfora n\u00eb fund t\u00eb stel\u00ebs, pran\u00eb t\u00eb cil\u00ebs gjendet edhe nj\u00eb en\u00eb e rr\u00ebzuar. \u00cbsht\u00eb e punuar n\u00eb mermer t\u00eb bardh\u00eb, me p\u00ebrmasa 195 x 65 x 25cm, dhe p\u00ebrbehet nga frontoni, nisha dhe fusha mbishkrimore. P\u00ebr nga forma dhe zbukurimi \u00ebsht\u00eb stel\u00eb tipike dardane e shek. II-III t\u00eb e.s. Edhe cipusi \u00ebsht\u00eb gur mbivarror me nj\u00eb form\u00eb specifike t\u00eb gur\u00ebve mbivarror t\u00eb varrezave ilire n\u00eb form\u00eb prizme apo cilindri, me mbishkrim apo dekorim i cili i takon, poashtu shek. II-III t\u00eb e.s.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Publikimet e Muzeut<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Muzeu i Pejes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ky katalog ka p\u00ebr q\u00ebllim informimin sa m\u00eb t\u00eb mir\u00eb t\u00eb publikut t\u00eb gjer\u00eb rreth pun\u00ebs, veprimtaris\u00eb dhe aktiviteteve t\u00eb Muzeut t\u00eb Pej\u00ebs n\u00eb hulumtimin, mbledhjen, ruajtjen, prezentimin dhe promovimin e Trash\u00ebgimis\u00eb Kulturore materiale dhe shpirt\u00ebrore t\u00eb Rajonit t\u00eb Pej\u00ebs. Lexuesit, shum\u00eb her\u00eb, kan\u00eb pasur rastin t\u00eb informohen p\u00ebr Muzeun e Pej\u00ebs si pik\u00eb turistike, krahas pikave t\u00eb tjera atraktive me r\u00ebnd\u00ebsi kulturore-historike t\u00eb Pej\u00ebs, n\u00eb Informator\u00eb Turistik\u00eb dhe Flet\u00ebpalosje t\u00eb shumta, t\u00eb botuara nga Drejtoria p\u00ebr Zhvillim Ekonomik-Zyra p\u00ebr Informata Turistike. N\u00eb k\u00ebt\u00eb Katalog do t\u00eb prezentohet vet\u00ebm Muzeu i Pej\u00ebs, si Institucion Kulturor dhe, \u2018Konaku i Tahir Beut\u2019, si monument kulturor.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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LEXO BROSHUREN KETU +<\/a><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

PEJA MUSEUM OPEN TO VISITORS: 08:30- 15:30 For the period from May – October,\u00a0 the museum can be visited during the weekends with hours: 10:00 – 14:00.\u00a0 Tel: +383 39 431 976 | Email: besa.berisha@rks-gov.netAddress: Sheshi Haxhi Zeka. About the Museum Located in Haxhi Zeka Square at a hectic point which connects the centre of Peja with the Old Bazaar is the old Konak of Tahir Bey, an old traditional house of Peja built-in century XVIII, which has also served as a “guest house” (guesthouse) for passers-by and occasional traders from other countries, who had frequented the city of Peja for commercial purposes. Within the spaces of this house which consists of the ground floor and the first floor, there are two exhibitions (ethnological and archaeological) with about 2000 exhibits, which introduce Peja’s history in different periods from the Illyrian to the present day. This museum’s even more incredible value is shown in the dynamics of activities. Almost throughout the year, its staff organizes various activities with different generations of citizens, which aim at preserving cultural heritage, its presentation, educating new generations and promoting the heritage of Peja at national and international levels. This museum is at the service of all citizens of different ages and nationalities. History of the Peja Museum The Museum of Peja is a cultural institution that deals with preserving and presenting cultural heritage and operates within the municipality of Peja. It was established in 1971 and named “Museum of Revolution” and has served to explain the historical material on the National Liberation War (LN\u00c7) during the Second World War that took place in the territory of the Municipality of Peja. In 1977 the “Ethnological Museum” was established to promote the material and spiritual heritage of the Peja Region. Although it was launched earlier, its activity started in 1983 on the premises of the Community of Culture (now the House of Culture). It will then be located in the “Guest House of Tahir Beg” in 1989, where it still operates. In 1992, these two museums were merged, working in the same building, Tahir Beg’s guest house, as the “Peja Regional Museum-Ethnology Sector”, in which activities were also conducted in archaeology and history. For this museum to develop even more in other sectors, the Municipal Assembly in 2015 approved the new Statute of the Museum. The name was changed from “Regional Museum of Peja-Ethnology Sector” to “Museum of Peja”. The Museum of Peja owns a fund of about 2000 museum objects, namely ethnological exhibits, archaeological artefacts and historical documents, collected during many years of fieldwork but also thanks to donations from citizens and the Museum of Kosovo. Many of these museum objects are presented in two permanent exhibitions, the ethnological and the archaeological. They offer the rich and diverse cultural material and spiritual heritage of the Dukagjini Plain. This heritage has developed during different periods and under the influence of different cultures, which cultures are intertwined, which is seen in all areas and aspects of life such as clothing, architecture, development of social, cultural, and economic vitality, etc. Ethnographic Exhibition The permanent ethnological exhibition, ‘Ethnological Cultural Heritage of the Dukagjini Plain ‘, was opened in 1989. It presents the material and spiritual heritage of the Dukagjini Plain, through various collections such as: traditional clothing of the area (clothing of the Dukagjini Plain and Dukagin Plain and Rugova), textiles, bedding, jewelry, weapons, utensils, crates and other household furniture, work tools, musical instruments, etc. All these exhibits are handicrafts of local craftsmen made, mainly by men, with different materials and simple tools, as well as works of women who, with a rare craftsmanship and a very creative and artistic sense, have created. Hand-woven works of art such as: carpets, various rugs, pieces of traditional clothing, then crochet, needle, etc. These works belong to century XVIII, XIX and XX. Clothing of Dukagjini Plain Clothing of the Dukagjini Plain dress consists of a long white shirt woven at the waist and decorated with embroidery on the chest and collar, a black or brown vest or sweater, front coil, rear coil, knitted sleeves crocheted, on the head is the tie and handkerchief, black socks and rubber shoes. Depending on the age, the dress of Dukagjinthe Plain, known as the ‘village dress’ or ‘Podgur’, is divided into girls, brides and old women, which is less or not at all decorated with embroidery. Clothing of Rugova Brides Rugova Brides’ clothing is characterized by various colours and motives, made of fabric and decorated with embroidery with thread, silk and colourful beads. It consists of a long shirt up to the knees with short sleeves; then the dress, which has the shape of a very wide bottom (composed of 120 kinda pieces), which also resembles the dress; cleats or panties; 4 colourful handkerchiefs tied at the front which symbolize fertility, prosperity, happiness and prosperity in life; rear spool; the black vest, called the ‘arm’; belts; red head scarf; crocheted sleeves (from the wrist to the elbow), black socks and robber shoes, while the chest is adorned with silver ornaments. The clothing of Rugova young brides is also characterized by the decoration of the bride with herds and talismans, made of crochet or colourful beads but also silver, which is placed to protect the ‘new’ (bride) from the ‘evil eye’ or as it is popularly known the ‘be-witched’. Older women’s clothing is less embroidered and decorated, dominated by white and black instead of colourful scarves and the front scarf is put on, while the white headscarf is worn on the head. Even the young girl’s dress is distinguished by the twist, which is a woollen end, worked with twists and decorated with a cord embroidered with wire. Clothing of Rugova Men The clothing of Rugova men is made of wool and consists of woollen trousers, a white shirt made of fabric embroidered with long sleeves, and friends with colourful stripes, where the kombucha (short rifle), woollen socks and rubber shoes are placed. On the head, there<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_theme","meta":{"_crdt_document":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-60","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/pejatourism.org\/sq\/wp-json\/wp\/v2\/pages\/60","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pejatourism.org\/sq\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pejatourism.org\/sq\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pejatourism.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pejatourism.org\/sq\/wp-json\/wp\/v2\/comments?post=60"}],"version-history":[{"count":144,"href":"https:\/\/pejatourism.org\/sq\/wp-json\/wp\/v2\/pages\/60\/revisions"}],"predecessor-version":[{"id":3720,"href":"https:\/\/pejatourism.org\/sq\/wp-json\/wp\/v2\/pages\/60\/revisions\/3720"}],"wp:attachment":[{"href":"https:\/\/pejatourism.org\/sq\/wp-json\/wp\/v2\/media?parent=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}